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Still Freaky, Still Fearless: Celebrating Adina Howard, 30 Years of Owning Her Voice

5 days ago
4 min read

Some artists make an entrance. Adina Howard made a statement.

When “Freak Like Me” arrived in 1995, it brought a bold, self-possessed voice to R&B, and made room for a different kind of conversation about women, desire and artistic control. Three decades later, that fearless spirit still resonates. Howard is still performing, recording and exploring new creative chapters on her own terms.

For POWER NV103.1, celebrating Adina means celebrating what we believe in: authentic soul music, independent artists and creators who bring their full selves to the work. And we’re excited for an upcoming conversation with her on air, hosted by Shawna Boakye, known to listeners as Yahnique the Melody Mistress.

A BREAKTHROUGH THAT STILL HITS

“Freak Like Me” became a defining hit of the mid-1990s: a platinum-certified single that announced Howard’s arrival with confidence and unmistakable personality. Her debut album, Do You Wanna Ride?, earned gold certification and established her as more than the voice behind one unforgettable song.

Howard became a pioneer of sexual expressionism in urban music. She spoke openly at a time when it wasn’t always easy, or welcome, for women to set the terms of their own stories. Her music challenged expectations, but the lasting power of her work is about more than provocation. It’s about agency: the right to choose your voice, your image and what you want to say.

That’s part of why “Freak Like Me” still feels so alive. It carries the energy of its era, but its boldness belongs to Howard. She wasn’t waiting for permission to be herself.

Adina Howard beside a piano in a moody, purple-lit setting

THREE DECADES, FIVE ALBUMS, ONE DISTINCTIVE VOICE

Howard’s catalogue reflects a career that kept moving, even when the chapters weren’t always released in a straight line. Her five studio albums are:

  • Do You Wanna Ride? (1995)

  • The Second Coming (2004)

  • Private Show (2007)

  • Resurrection (2017)

  • Welcome to Fantasy Island (officially released in 2021)

The milestones tell one story; the choices behind them tell another. After a nearly decade-long hiatus from releasing an album, Howard returned with Resurrection in 2017. That return wasn’t a retreat into nostalgia. It was a new chapter from an artist who had lived, changed and still had more to say.

In 2025, the 30th anniversary of her debut brought renewed attention to the legacy of “Freak Like Me,” including a UB Soul Friday celebration. The moment offered a chance to revisit the music, and recognize the woman who stood behind it, still evolving beyond the breakthrough.

For listeners discovering this 90s R&B singer now, the catalogue offers a fuller picture: not just one hit, but a body of work shaped by reinvention and self-possession.

A CURRENT CHAPTER WITH ROOM TO GROW

Howard’s latest work meets her legacy without being trapped by it. The 2025 single “I Overstand” brings a reflective energy to her current chapter. The title suggests a deeper kind of empathy: not simply hearing someone, but recognizing a difficult road because you’ve travelled through your own.

A track titled “Overthink” has also been part of the conversation around her recent creative output, alongside the classic hits that continue to connect with audiences. Together, these new works point to an artist whose voice can hold confidence, reflection and encouragement across different seasons of life.

Adina Howard in a purple hat and lavender outfit

There is no need to choose between celebrating the hit that introduced her and making room for what she’s creating now. The past is part of the story, not the limit of it.

STILL ON STAGE. STILL MAKING MOVES.

As of 2026, Howard continues to perform and record. She performs more than 40 shows annually, bringing her music to audiences who grew up with “Freak Like Me” and listeners meeting her work for the first time.

Her 2026 appearances have included the lineup at Detroit’s Aretha Franklin Amphitheatre on September 7, alongside Blackstreet, The LOX, Sisqó, Tweet, Beanie Sigel and Freeway. On October 10, she performed at the Afro Awards in Hollywood. These are more than dates on a calendar: they’re reminders that her connection with live audiences is active and ongoing.

Howard’s creative life reaches beyond music, too. She is also an actress and chef, building a multifaceted career that reflects curiosity and the freedom to follow more than one path. The throughline is unmistakable: a commitment to creating on her own terms.

Adina Howard at the 2026 Afro Awards in Hollywood

THE TRAILBLAZER POWER NV103.1 WANTS YOU TO KNOW

At POWER NV103.1, we champion independent artists, amplify creators and celebrate the culture behind the music. Adina Howard fits that mission naturally. She’s a female R&B trailblazer whose story includes boundary-pushing work, time away, a return to recording and a present-day career that keeps opening new doors.

That’s the spirit behind our upcoming Adina Howard interview with Shawna Boakye. Yahnique the Melody Mistress. We’re looking forward to a conversation that makes space for the music, the milestones and the person behind a career built on owning her voice. No interview date has been announced, so stay tuned for details.

We’re proud to be a Las Vegas radio station with a global digital audience, and we believe the best conversations connect listeners across generations and communities. Howard’s story gives us plenty to celebrate: the fearless hit that made history, the catalogue that followed and the new work still taking shape.

KEEP THE MUSIC MOVING

If “Freak Like Me” has been part of your soundtrack for years, revisit it, and explore the albums around it. If you’re just discovering Adina Howard, start with her debut and follow the journey through Resurrection and Welcome to Fantasy Island. Then add “I Overstand” to your listening queue and keep an ear out for “Overthink.”

Stream the catalogue. Catch a live show. Follow her next chapter. And stay tuned to POWER NV103.1 for our upcoming conversation with Adina Howard.

 
 
 

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